TONIGHT! SURPRISE II w/ ANDY C + MC GQ!! @ Masquerade!

[Household]

Friday June 25, 2010


Household Management & Masquerade proudly present:


SURPRISE II


Last year Household Management brought you a surprise unscheduled DnB show with none other than Noisia and Dara leading up to the infamous MJ's Birthday Bashment 2009. This year, with the association of Masquerade, we proudly bring you our next installment of our SURPRISE events with SURPRISE II! But this year we are bringing you the absolute, undisputed, KING OF DRUM N BASS! The one the only....




ANDY C
w/ MC GQ
Ram Records // London, United Kingdom
Last year saw Andy C reign supreme once more as he was crowned Best DJ for the 10th successive year; a record for the drum and bass industry. He was the highest drum and bass representative at DJs top 100 DJs Poll at number 28, and started the year getting the ultimate accolade from the bible of dance music Mixmag listing him in the top 10 of their Club lands Ultimate Power List. While running his label, signing new talents, producing and traveling across the globe to play some of the biggest clubs, Andy C is a busy man, and one of dance musics best ambassadors. Andys musical background started with nothing more than a drum kit which he was bought by his parents when he was five years old. Like most things Andy tries, it quickly became an obsession practicing at any given opportunity. Andys fascination with dance music and its culture came about largely thanks to his older sister who was at the heart of its emergence in and around 86/87. One of the first tunes he heard was the legendary Voodoo Ray by A Guy Called Gerald. When I heard that something clicked and that was the start of everything. Andy recalls. Andy considers himself lucky growing up in Essex, as there were a few good pirate radio stations to choose from including Centre Force and Sunrise, broadcasting 24/7 and playing the latest dance music on offer. It became an obsession. To Andys sheer delight it wasnt long before his sister took him to his first rave when he was only 13! However, it wasnt until 1991 that Andy decided he wanted to become And DJ and create the kind of vibe that was making dancefloors erupt. He became obsessive and quickly managed to get a slot with the late shift on his local pirate station Cyndicate FM. Andy would play almost every night of the week, which was usually followed by him falling asleep in the studio, before he would walk home around the same time that the majority would be getting up and going to work. His first club slot was for a club night on Shaftsbury Avenue. On the night his car broke down on the way in to town, and he had to hail a cab and get a night bus back! Soon Andy was opening at Telepathy, where he stayed from 10pm-6am for every event, so that if someone didnt turn up hed fill in. This loyalty paid off, and Andy rightfully earned his residency at Telepathy. It was in 1993 that the scene started to explode; jungle club nights and raves were packed out every week and Andy saw his bookings soar, and he became part of the drum&bass family; every Thursday he would meet up with Hype and Brockie. They would go to Section 5, Black Market, Unity Records and end up down at the legendary Music House cutting dubs. In parallel to his thriving DJ career, Andy was becoming an excellent producer, teaching himself the basics of computer programming and experimenting with beats. Friend of the family Ant Miles a talented sound engineer heard one of Andys rearrangement of Voodoo Ray and offered help. They quickly became a team: from his relentless Djing Andy knew what music to do, and Ant knew how to make it. Their first release together was as Desired State. Soon Andy was confident enough to produce on his own and, at 16, his first solo effort the Sour Mash EP became the first release on his label Ram Records, created thanks to a £1,000 loan from his uncle. Ant and Andy went around the shops selling the EP themselves and to their delight, it sold a promising 2,500 copies. However, nothing could have prepared them for the consequences of their first track as Origin Unknown, a piece of drum & bass history. Valley Of The Shadows released in 1993 - became an absolute all-time classic. The track was so popular that Andy was even being booked to perform live P.As of the track which he confesses involved nothing more than playing a DAT whilst standing next to unplugged keyboard! The unstoppable rise of Andy C as a DJ, producer, A&R and label boss kept on through the nineties. The Origin Unknown remix of Busta Rhymes Woo Haa in 1996 added another skill to the 20-year-old producer, and was followed by many more, for Reprazent and Adam F amongst others. Enrolling new members, including old friend Shimon, Ram compiled their first album Origin Unknown presents The Speed Of Sound, in 1996. Another showcase of the Ram stable, Sound In Motion, was released in 1998 with No Reality, another landmark 12, produced by Andy, Ant and Shimon as Ram Trilogy. It was followed by an album Molten Beats a year later. 2001 was another stepping stone for Andy C as a track he recorded with Shimon, an insanely catchy instrumental called Bodyrock, crashed into the national charts at 28. The same year, Andy started to capture the energy of his DJ sets through a powerful mix of Ram singles and EP called Ram Raiders, and some stunning remixes such as Adam Fs Stand Clear (featuring MOP) as Origin Unknown. It was followed by a Drum & Bass Arena and a Fabric Live Mix CDs. The concept stepped up with the release of the hugely successful Nightlife mixed compilation in 2003, followed by Nightlife 2 A Drum And Bass Odyssey a year later, getting the Mixmag LP of the month accolade. The 2003 Knowledge Magazine Awards were a consecration of Andy, winning Best DJ for an unprecedented third time in a row, while Ram were nominated for Best Single and Best label. Since then, Andy has been in the studio, producing as part of Origin Unknown (including Dynamite MCs Hotness in 2004) and Ram Trilogy. He has traveled around the world a few times, and spends a lot of energy looking after the Ram stable, signing new artists including the likes of Subfocus to the ever-expanding roster. 2006 saw the release of another installment of the classic Nightlife series, packed with exclusive gems by the whos who of drum and bass worldwide. When looking over Andy C's career to date it quickly becomes clear that he has worked extremely hard to get where he is today. Now known as drum & bass superstar DJ who spends most his time touring the world playing the music that he loves, it is important to note that he has done every menial job there is in this scene just to be part of it. Handing out flyers, selling records, reading instruction manuals, doing night shifts, opening and graveyard slots, Andy has done it Thats why, even widely acknowledged as the ambassador of drum&bass worldwide, Andy is still working hard for the love of the music and the respect of his massive audience all across the globe.
GQ:
Since its inception back in the early 90's drum&bass has developed at a drastic rate, yet certain themes and characteristics have remained - The charisma, presence and distinctive sound of MC GQ is one such characteristic MC-ing at the top of the chain for more than 15 years has taken GQ to all the corners of the globe, seen him achieve chart success, and even given him the opportunity to establish his very own record label 'Emcee Recordings'. Music has been a big part of GQ's life for as long as he can remember: whether he was listening to his Dad's records or tagging along with his brothers soul & funk system, GQ has always been surrounded by music and always keen to be part of it. At school GQ and friend Det (MC) would freestyle along to beats banged out on their desks: but it was watching his neighbour DJ Ron and DJ Hype on the TNT system that influenced him to pick up the mic and it was with his good friend Spoony that he managed to find his own unique sound. These were the solid foundations on which his career was built. GQ's involvement in music turned professional once good friend Julie Braithwaite introduced him to Acid House in the late 80's. Tunes like Joey Beltram's 'Acid Thunder' and 'Big Fun' got under his skin and over the next two years GQ began to organise a whole host of parties, whilst MC-ing and even DJ-ing at others: from Skitzophrenia at Ilford Palais to the legendary raves at Croland Road, then down to KiKi's in Margate, and back to Clapham Common. Weekends were a string of parties going thru from Friday till Sunday night, rolling with the likes of Frankie Valentine, Rat Pack, Grooverider, Mathew B, Richie Fingers, Frankie Bones, and Tony Trax to mention just a few. It's important to note that GQ had been in the game for close to five years before jungle let alone drum&bass came about. AWOL was a seminal club in establishing jungle, and it was here that GQ secured a residency at the top of the MC world. Representing alongside DJs such as Mickey Finn, Darren Jay, Randall, Dr S Gachet, Kenny Ken, Fabio, Frost, Grooverider & Ron week in week out, and with the tapes being sold all over the place, the buzz started to build and pandemonium soon followed. It wasn't long before bookings abroad started flooding in: The AWOL tapes established GQ's name in places he'd never been, and so he was one of the first MCs to work in places as far away as Australia and Toronto. Highlights included playing at the same event as Public Enemy in Toronto with over 5,000 people holding their lighters up; being flown to a rave on an island off the coast of Serbia and a helicopter ride to play to 2,000 people in a warehouse in Australia with Andy C. GQ has always been a DJ's MC, seeing his role as a middle man between the DJ and the crowd rather than constantly demanding centre stage. His versatility is such that he has always been able to switch up to double time and tear down a rave, or keep the crowd bubbling to a liquid set. 'It's all about reading the crowd, and adapting your style.' This approach has meant that you are as likely to see GQ at One Nation alongside Hype as you are to see him with Goldie at a Metalheadz session. Consistency and adaptability have kept GQ at the top of the MC ranks for 15 years and has made him partner to pretty much all of the top flight DJs.



J.RABBIT
Play Me Records, Party Like Us Records, Delorean Music Company // The Bronx, NYC
J.Rabbit was on raised on the Los Angeles Drum n' Bass scene. Attending all night dance parties at a young age, J.Rabbit, with already an extensive knowledge of musical instruments and musical theory, learning to play such instruments as the saxophone, trumpet, piano, guitar and bass, began teaching himself to spin records. He learned quickly, and became a local resident DJ for "Club Dollhouse" in Long Beach California. After a few months, and a closing club, J.Rabbit headed for New York City. With a strong rooted foundation in The Bronx, J.Rabbit started to make his name known in the party scene. Coming in contact with a familiar DJ, Funktipuss Jones, J.Rabbit and "The Funk" opened up a free Drum n' Bass weekly in Times Square, NY every Wednesday night dubbed "Bassalicious", and founded Beats Anonymous Productions. At Bassalicious, J.Rabbit shared the stage with popular DJs such as DJ Dara, DB, Terravita and other local favorites such as DJ Odi and Jen Mas. All along this time, J.Rabbit while playing parties and making a name for himself was learning to produce music with the aid of Terravita/Hot Pink Delorean's, Mr. Matt. Then in 2009, his first remix was released "B.Rich feat. Reese - Make Me Dance (J.Rabbit Remix)" on Party Like Us Records. Shortly after this, his first EP "I'm So Happy" was released on Reid Speed's label "Play Me Records", he also has releases with Hot Pink Delorean's label "Delorean Music Company" and NYC jump up icon, Hokilla's label "Digital Terror Records". J.Rabbit has always been committed to bringing to light new and interesting sounds to the dance floor, weather it's a deep womp from wobble, or a screeching hi-pitch note hold, or "all over the place" Jump Up Drum n' Bass, or "high energy" Dubstep. J.Rabbit has always wanted to catch the dance floor's attention. Between playing out his own tunes, which have been quoted as being "the best Jump Up made in America" or "the way Dubstep should be", and sharing the stage with such djs as Simon Bassline Smith, Aragon, Dara, Craze, and Pendulum, just to name a few, J.Rabbit cannot be missed. So if you're out at a club, and the beat switches to something with a bit more personality, beware, J.Rabbit is most likely in control of the dancefloor now!



TRENCH
Trill Bass Records, Household Management // Atlanta, Georgia
Hailing from Atlanta Georgia, Ben "DZK" Anderson AKA "Trench", comes out swinging with a barrage of dark and relentless Neurofunk and heavy hitting Hip-Hop influenced Drum & Bass, but is making his mark on the world of Dubstep and "Crunkstep" worldwide. From being a part of the now legendary bi-weekly Transit events hosted by 404Audio.com and Shadow Law Recordings, and having played alongside such legends of the Drum & Bass community such as Photek, Bailey, Tech Itch, Friction, Chase & Status, The Upbeats, Spor, Corrupt Souls, Mayhem, Phace, Gein, Black Sun Empire, Demo & Cease, Bulletproof, and Cyantific, it has come to no surprise that DZK has risen to the upper echelon of Atlanta's finest Drum & Bass DJ's. Recently, Deezy, as he is affectionately known as by his friends, just came away with the title of "Atlanta's Best DnB DJ" after winning the first place prize of a long fought contest spanning over 3 months, @ The Annual Fuze DJ Tournament. Backed by artists from Shadow Law Recordings, Vision, Renegade Hardware, Evol Intent Recordings, and Citrus, as well as original material and exclusive mashups from his production alias "Trench", be prepared to relentlessly be assaulted from today's newest & unreleased Drum & Bass.



THESIS
Corinthian Recordings, Worldwide Transmissions // Atlanta, Georgia
Bill Hoffman (Thesis) is the owner of Corinthian Recordings, a dnb label based in Atlanta, GA. Bill has been involved in the Atlanta EDM scene since 1998. First breaking into the performer scene as MC Hubz in late 1999 – early 2000. Bill enjoyed rhyming in shows across the south east until 2003 when his daughter, Corrine, was born. Taking time away from playing, Bill eventually started concentrated on production and the launching of Corinthian Recordings in late 2005. In additon to Corinthian, Bill helps run Worldwide Transmissions (An Atlanta based Dubstep label run by Jeremy, Precise & Thesis). Bill had always been a fan of DJ’ing and buying records since the late 1990s. Thanks to an early Christmas present from his girlfriend, Thesis got a set of CDJ-100s in 2006. He started purchasing tracks from Beatport and some other emerging dance music MP3 stores. Armed with this and an aim box starting to fill up with tracks for the label, Thesis was ready to go. Thesis has played at some of the best nights / shows / clubs / Radio Shows in ATL including: Tambor Y Bajo, Jungle Bells 2008, The Blue Olive, 180 Degrees, Fuze, Test Your Fucking Locals & Fuze DJ comps, Free Bass, EA Love, The Smoke Room, OTC Radio, DNB Tuesdays, The Checkered Parrot and many more. You can catch Thesis on regular rotation on Corinthian Radio on www.echolabradio.com every Monday from 9pm – 11


Hosted By:
KAKAROT MC + ARION LEE = TOOPHACED



Location:
Masquerade (Heaven)
695 North Ave NE
Atlanta, GA 30308
(404) 577-8178
www.masq.com

Details:
18+ to enter
Doors from 9pm-3am

Tickets:
Pre sale tix can be be purchased starting this Friday, May 7, 2010 online at the following link: www.ticketmaster.com
Or in person @ all Ticketmaster Outlets and The Masquerade Box Office

[Household]

Bumper!

[Household]

Tonight!!