IDeal
04-03-2004, 05:39 PM
I've decided to let go of my hardware since I never use it. everything is in really good condition and I'll sell it for a lot less than I paid for it. PM me if interested in anything.
$400 - Yamaha RM1-X MIDI Sequencer and internal synth engine
http://www.yamahakhs.com/products/de/products/rm1x/RM1X.jpg
The incredible Yamaha RM1x is a complete dance-music workstation that is both a real-time performance instrument and a powerful production tool. An intuitive "hands-on" interface makes real-time operation easy for artists with a DJ background, while in-depth sequencing and editing functions make it possible to create the most complex original pattern from scratch.
The RM1x for Performance
The RM1x also features a great-sounding tone generator with an enormous selection of great dance sounds built in. If dance is your style and you want the most powerful performance and production tools right at your fingertips, it doesn't get much better than this: the Yamaha RM1x Sequence Remixer.
RM1x — Your Main Remix Machine
You can instantly switch between 16 "sections" included in each pattern simply by tapping keys on the RM1x's large keyboard and use the real-time controller knobs to bend, twist, and shape your sound on the fly. It's a snap to mute and un-mute tracks during playback. A single RM1x is all you need to keep the dance floor jumping all night long. Furthermore, you can combine the RM1x with other MIDI-compatible music gear for even greater versatility.
The RM1x for Production
If you're into serious music production as well as real-time tweaking, the RM1x gives you everything you need. In addition to a top-quality tone generator with 700 voices, which can be edited to create precisely the sound your grooves require, the RM1x features a fully blown, powerful sequencer that lets you create and edit original patterns with total control.
Variety of Record Modes
You can record original material by using a variety of record modes — real-time replace, real-time overdub, punch-in, step, and grid. These modes are designed to work for many different types of musicians. The grid mode provides a programming interface that many artists with a DJ background will already be familiar with. You can edit the recorded material and add effects to polish and refine the final sound.
MIDI Compatible
RM1x is MIDI compatible and includes a full complement of MIDI functions makes it an ideal core device for a sophisticated MIDI dance production system.
Dance Oriented Sounds
An extensive arsenal of 700 outstanding dance-oriented sounds.
Styles, Patterns, and Phrases
An awesome assortment of 50 preset styles, 960 patterns, and 7,726 phrases.
Assignable Control Knobs
8 assignable real-time control knobs, a large LCD display with 4 display knobs, and a large multi-function keyboard.
Style
Each "style" has up to 16 "sections" which can be switched in real time during playback via the RM1x keyboard.
16-Track Sequencer
Powerful 16 track sequencer with 110,000 note memory and 480 clocks/quarter note resolution lets you record original material via the RM1x keyboard or an external MIDI keyboard using a versatile range of record modes: real-time replace, real-time overdub, punch-in, step, and grid.
Sequence Editing Functions
In-depth sequence editing functions make it possible to create and refine complex patterns and musical textures with extraordinary precision.
Edit Voices
Edit and refine the RM1x voices to create sounds that most ideally suit your own music.
Multi-Effect System
A sophisticated multi-effect system can be used to add anything from subtle ambience to wild variations.
Play Effects
Real-time "Play Effects' including harmonize with unison and octave functions, beat stretch, clock shift, gate time, and velocity offset.
Floppy Disk:
Built-in floppy disk drive for convenient, low cost data storage and retrieval.
LCD Display
The RM1x backlit LCD displays panel is undoubtedly the largest and most comprehensive available on a production tool in its class, making operation extraordinarily easy and efficient — and it even has a cool-looking "negative" display mode. Whether you're editing detailed sequence parameters, adjusting track pan or volume, or tweaking effect send levels, the RM1X display and control interface offer unprecedented ease and efficiency.
Knobs and Function Buttons
The 4 knobs and function buttons located immediately below the display directly control corresponding parameters on the display. No need for time-consuming incrementing or decrementing of numbers when you're in the middle of a show or trying to turn a creative brainstorm into real sound — just grab a knob and turn to get the effect you want.
Real-Time Controller Knobs
One of the features that makes the RM1x a great performance tool is its real-time controller knobs that let you tweak the corresponding parameters in real-time during playback. The knobs can be set to sweep filter cutoff frequency, pitch bend, add, and modify effects or control just about any available parameter
Controller Knob Features
Edits you make with the controller knobs can actually be recorded in real-time, or applied to the sequence data later by using the appropriate editing job. You can hear the results as you are recording or editing make it easier than ever to pinpoint the groove you're after. Whether you're editing material originally created on the RM1x or "remixing" MIDI sequence data created on other equipment, the RM1x offers easy intuitive control that can lead to truly inspired creations.
8 Controller Knobs:
You have instant access to multiple parameters, and you can control more than one parameter at the same time. There's also a knob button, which switches between 2 sets of parameters for all 8 knobs. The parameters listed on the panel are the default assignments, but other parameters can be assigned as required. In addition to controlling internal RM1x parameters these knobs as transmit MIDI control change data-ideal for real-time control of other external MIDI instruments and devices.
Pattern and Patch
The Patterns mode provides access to most of the RM1x's performance and recording functions as well as the powerful, convenient Patch function.
Patch Function
The Patch function make it easy to select phrases from the huge selection of 7,726 provided with the RM1x or phrases you've recorded yourself, and "patch" them together to create complete patterns. This ability to mix and match a variety of rhythm, bass, and chordal/melodic phrases lets you create a virtually unlimited range of new patterns quickly and easily.
Pattern Chain
Another feature that is deal for dance-music production, the pattern chain mode, allows preset and/or original patterns to be easily "chained" together for automatic sequential playback.
Groove
The RM1x Grid Groove function makes it possible to adjust the note offset, clock shift, gate offset, and velocity offset of the notes in a specified track via a 1-measure 16th-note grid to create "grooves" that would not be possible with precise sequencer-like programming.
Harmonize Play Effect
The Harmonize feature adds considerable flexibility to the RM1x play effects by allowing unison harmonization to create deliberate out-of-phase effects, octave harmony, and the addition of 2 parallel harmony lines.
Arpeggio
The ability to create simple arpeggios via an easy-to use grid interface adds a greatly to the versatility and depth of the RM1x. In addition to data transmission via MIDI, it can be recorded to internal sequencer.
Effect
Detailed effect editing to add finishing touches to your sound with Yamaha's professional studio-quality reverb, delay, modulation, distortion, and an extensive range of other effects
Voice Edit
This sub mode provides access to in-depth voice editing parameters that you can use to customize voices for your own personal sound. A comprehensive range of envelope generator, LFO, filter, and other parameters make it a breeze to match the RM1x sound to your music.
Setup
The setup sub mode includes a low boost function with a wide 24dB range for ground shaking bass (mind those speakers — low boost is powerful!), knob assignment for the RM1x's real-time control knobs, and individual output channel assignments for the internal tone generator and MIDI transmission.
Job
The job sub mode gives you access to the RM1x's extensive range of pattern, pattern chain, and song jobs. The pattern mode, for example, offers a range of 36 jobs to perform functions such as quantization, transposition, creating crescendos and glides, creating rolls, and much, much more.
Tap/Enter Button
Tap BPM entry lets you define tempos the way you feel them rather than with numbers.
Multi-Function Keyboard and Mode Buttons
This 26-note keyboard makes it possible to program the RM1x without having to connect an external MIDI keyboard. It's even polyphonic (the RM1x has a 64-note polyphony), so you can directly enter chords as well as single notes. The keyboard also acts as an easy-to-use real-time interface for a range of functions including track selection, transposition, numeric data entry, track mute/solo, and section selection.
Black Keys
The "black keys" also perform a range of other functions, such as selecting specific mute track ranges and memorizing a number of track mute setups.
Mute Memory
The mute memory function lets you specify groups of tracks, which can then be instantly muted or un-muted, by pressing a single-key.
Floppy Disk Drive
You can conveniently save and load RM1x data at any time and load SMF (Standard MIDI File) data created on other sequencers or computer-based systems. You can then use the RM1x's editing features and/or real-time control capabilities to "remix" the data to create the groove you require.
Technical Description
Sequencer
Memory Capacity: 110,000 notes
Timing Resolution: 1/480 quarter-note
Polyphony: Maximum 64 simultaneous notes
Tempo: 25.0-300.0
Recording Methods: Real-time (Replace, Overdub, Punch-in), Step, Grid Step
Sequencer Tracks: 16
Tracks Per Pattern: 16
Preset Patterns: 960 (60 styles x 16 sections)
User Patterns: 800 (50 styles x 16 sections)
Pattern Chains, Songs: 20 songs
Edit: Song Edit, Phrase Edit
Jobs: 36 pattern jobs, 8 pattern chain jobs, 28 song jobs
Split: Slip song, Split pattern
Grooves: Grid Grooves (Note Offset, Clock Shift, Gatetime Offset, Velocity Offset)
Play Effects: Play Effects (Beat Stretch, Clock Shift, Gatetime, Velocity Offset); Harmonize (Unison, Octave, Harmonize 1, Harmonize 2)
MIDI Delay MIDI Delay edit, Feedback edit
Arpeggios Type: (up, Down, Alternate 1, Alternate 2, Random), Sort Hold, Octave Range, Sequence Formats
Sequence Formats: RM1x format, SMF (Format 0)
Tone Generator
Tone Generation AWM2
Polyphony: Maximum 32 simultaneous notes
Multi-Timbral: Maximum 16 timbres (last-note priority with element reserve, DVA)
Preset Voices: 654 normal voices, 46 drum-kit voices (excl. GM normal voices and GM drum-kit voices)
Effects: 11 Reverb types, 11 Chorus types, 43 Variations
Digital Low Boost: +24db/50hz-2.0khz
General
Display: 64 x 240-dot backlit graphic LCD (adjustable contrast)
Connectors: Phones, Output x 2 (L/Mono, R), Foot Switch, DC IN, MIDI IN, MIDI OUT
Disk Storage: 3.5 in. 2DD/2HD floppy disk drive
Dimensions (W x D x H): 420 x 282 x 98 mm
$75 - Boss SP202 Phrase Sampler w/removale memory card
http://www.vintagesynth.org/roland/images/sp202.jpg
The SP-202 is a limited sampler designed for loops and grooves for DJs on a budget. It offers four low quality sample rates, from 31 to about 4 kHz, providing 20 to 260 seconds of sample time via built-in microphone, Mic or Line inputs. Each Pad to which you assign your samples can have user-selectable sampling rates in order to maximize sample time. It has six built-in effects including Pitch Shift, Filter 1 & 2, Time Stretch, Delay, and Ring Modulation. An innovative BPM function calculates the BPM from the sample length for easy loop/BPM syncing. The sampler can be battery powered, and comes with lots of sampled loops and one-shots to get you going.
Sample editing and effects editing is limited, to almost non-existent. In fact tempos are calculated for each loop automatically, and individual samples can't be pitch shifted, tempo adjusted, or have their volumes altered. It also lacks any re-sampling abilities, and with only four voices, the musical possibilities are quite limited. But it's great for the DJ who wants to run some material through its filters and effects, or to add a loop or groove over your DJ set, with live filtering and tweaking to liven' things up. For a fully professional sampler/sequencer workstation, check out the SP-808. The SP-202 has been used by Fatboy Slim.
Technical Info
Polyphony 4 voices
Oscillators None
Sampler 31.25kHz (hi-fi), 15.63kHz (standard), 7.81kHz (lo-fi), 3.91kHz (lo-fi 2); 32 to 260 seconds
Sequencer None
Effects Pitch, Filter, Resonant Filter, Time stretch, Ring Modulator, Delay
Memory Holds 16 samples; offline storage to SmartMedia 5.5v Memory Card
Keyboard None, 8 touch pads
Control MIDI
Date 2000
Current$$ $450
$50 - Yamaha SU-10 Phrase Sampler
http://www.musicrun.com/tests/su10/su10.jpg
The SU-10 is a very compact and portable sampler and sequencer. Best suited for the on-the-go musician it ultimately is a note-pad for musical ideas. It has a maximum of 4 simultaneous samples polyphony, 11.64 to 44.1 sampling rates, 54 to 19 seconds of sampling time (respectively), stereo input/output (using one-eighth inch mini stereo plugs), 4 songs with up to 100 events in each and a maximum of 48 samples can be stored. The 12 key-pads are not only used for editing and programming, but also for triggering samples stored within any of the four banks (bank a, b, c or d).
For professional use these specs are just not good enough. Its overall sound quality is questionable. However it features some pretty cool tricks that may interest DJ's: a ribbon controller that can be used to filter the samples cutoff, alter pitch, reverse, scale, crossfade, hold and scratch samples. It features a VCF type filter with 3 resonant settings and a bandpass, highpass, or lowpass shape. It can even be used to filter an external sound source. Unfortunately the filter is 'sketchy' and prone to crackles, distortion and noise. Filtering external sounds have extremely low output too.
The SU-10 won't replace your real sampler nor should it be considered a professional sampler but it does have its place. If you can handle the limited sampling specs and very poor filter then the SU-10 can still provide you with hours of fun and entertainment, but that's about it. It has been used by Jimi Tenor, Autechre, and Scanner.
Technical Info
Polyphony 4 simultaneous samples max (in mono)
Sampling 11.64KHz to 44.1KHz (19 to 54 seconds)
LFO None
VCF Digital Hi / low / band pass resonant filter
VCA None
Keyboard 12 key-pads
Memory 48 samples max
Control MIDI
Date 1997
Current$$ $299
$400 - Yamaha RM1-X MIDI Sequencer and internal synth engine
http://www.yamahakhs.com/products/de/products/rm1x/RM1X.jpg
The incredible Yamaha RM1x is a complete dance-music workstation that is both a real-time performance instrument and a powerful production tool. An intuitive "hands-on" interface makes real-time operation easy for artists with a DJ background, while in-depth sequencing and editing functions make it possible to create the most complex original pattern from scratch.
The RM1x for Performance
The RM1x also features a great-sounding tone generator with an enormous selection of great dance sounds built in. If dance is your style and you want the most powerful performance and production tools right at your fingertips, it doesn't get much better than this: the Yamaha RM1x Sequence Remixer.
RM1x — Your Main Remix Machine
You can instantly switch between 16 "sections" included in each pattern simply by tapping keys on the RM1x's large keyboard and use the real-time controller knobs to bend, twist, and shape your sound on the fly. It's a snap to mute and un-mute tracks during playback. A single RM1x is all you need to keep the dance floor jumping all night long. Furthermore, you can combine the RM1x with other MIDI-compatible music gear for even greater versatility.
The RM1x for Production
If you're into serious music production as well as real-time tweaking, the RM1x gives you everything you need. In addition to a top-quality tone generator with 700 voices, which can be edited to create precisely the sound your grooves require, the RM1x features a fully blown, powerful sequencer that lets you create and edit original patterns with total control.
Variety of Record Modes
You can record original material by using a variety of record modes — real-time replace, real-time overdub, punch-in, step, and grid. These modes are designed to work for many different types of musicians. The grid mode provides a programming interface that many artists with a DJ background will already be familiar with. You can edit the recorded material and add effects to polish and refine the final sound.
MIDI Compatible
RM1x is MIDI compatible and includes a full complement of MIDI functions makes it an ideal core device for a sophisticated MIDI dance production system.
Dance Oriented Sounds
An extensive arsenal of 700 outstanding dance-oriented sounds.
Styles, Patterns, and Phrases
An awesome assortment of 50 preset styles, 960 patterns, and 7,726 phrases.
Assignable Control Knobs
8 assignable real-time control knobs, a large LCD display with 4 display knobs, and a large multi-function keyboard.
Style
Each "style" has up to 16 "sections" which can be switched in real time during playback via the RM1x keyboard.
16-Track Sequencer
Powerful 16 track sequencer with 110,000 note memory and 480 clocks/quarter note resolution lets you record original material via the RM1x keyboard or an external MIDI keyboard using a versatile range of record modes: real-time replace, real-time overdub, punch-in, step, and grid.
Sequence Editing Functions
In-depth sequence editing functions make it possible to create and refine complex patterns and musical textures with extraordinary precision.
Edit Voices
Edit and refine the RM1x voices to create sounds that most ideally suit your own music.
Multi-Effect System
A sophisticated multi-effect system can be used to add anything from subtle ambience to wild variations.
Play Effects
Real-time "Play Effects' including harmonize with unison and octave functions, beat stretch, clock shift, gate time, and velocity offset.
Floppy Disk:
Built-in floppy disk drive for convenient, low cost data storage and retrieval.
LCD Display
The RM1x backlit LCD displays panel is undoubtedly the largest and most comprehensive available on a production tool in its class, making operation extraordinarily easy and efficient — and it even has a cool-looking "negative" display mode. Whether you're editing detailed sequence parameters, adjusting track pan or volume, or tweaking effect send levels, the RM1X display and control interface offer unprecedented ease and efficiency.
Knobs and Function Buttons
The 4 knobs and function buttons located immediately below the display directly control corresponding parameters on the display. No need for time-consuming incrementing or decrementing of numbers when you're in the middle of a show or trying to turn a creative brainstorm into real sound — just grab a knob and turn to get the effect you want.
Real-Time Controller Knobs
One of the features that makes the RM1x a great performance tool is its real-time controller knobs that let you tweak the corresponding parameters in real-time during playback. The knobs can be set to sweep filter cutoff frequency, pitch bend, add, and modify effects or control just about any available parameter
Controller Knob Features
Edits you make with the controller knobs can actually be recorded in real-time, or applied to the sequence data later by using the appropriate editing job. You can hear the results as you are recording or editing make it easier than ever to pinpoint the groove you're after. Whether you're editing material originally created on the RM1x or "remixing" MIDI sequence data created on other equipment, the RM1x offers easy intuitive control that can lead to truly inspired creations.
8 Controller Knobs:
You have instant access to multiple parameters, and you can control more than one parameter at the same time. There's also a knob button, which switches between 2 sets of parameters for all 8 knobs. The parameters listed on the panel are the default assignments, but other parameters can be assigned as required. In addition to controlling internal RM1x parameters these knobs as transmit MIDI control change data-ideal for real-time control of other external MIDI instruments and devices.
Pattern and Patch
The Patterns mode provides access to most of the RM1x's performance and recording functions as well as the powerful, convenient Patch function.
Patch Function
The Patch function make it easy to select phrases from the huge selection of 7,726 provided with the RM1x or phrases you've recorded yourself, and "patch" them together to create complete patterns. This ability to mix and match a variety of rhythm, bass, and chordal/melodic phrases lets you create a virtually unlimited range of new patterns quickly and easily.
Pattern Chain
Another feature that is deal for dance-music production, the pattern chain mode, allows preset and/or original patterns to be easily "chained" together for automatic sequential playback.
Groove
The RM1x Grid Groove function makes it possible to adjust the note offset, clock shift, gate offset, and velocity offset of the notes in a specified track via a 1-measure 16th-note grid to create "grooves" that would not be possible with precise sequencer-like programming.
Harmonize Play Effect
The Harmonize feature adds considerable flexibility to the RM1x play effects by allowing unison harmonization to create deliberate out-of-phase effects, octave harmony, and the addition of 2 parallel harmony lines.
Arpeggio
The ability to create simple arpeggios via an easy-to use grid interface adds a greatly to the versatility and depth of the RM1x. In addition to data transmission via MIDI, it can be recorded to internal sequencer.
Effect
Detailed effect editing to add finishing touches to your sound with Yamaha's professional studio-quality reverb, delay, modulation, distortion, and an extensive range of other effects
Voice Edit
This sub mode provides access to in-depth voice editing parameters that you can use to customize voices for your own personal sound. A comprehensive range of envelope generator, LFO, filter, and other parameters make it a breeze to match the RM1x sound to your music.
Setup
The setup sub mode includes a low boost function with a wide 24dB range for ground shaking bass (mind those speakers — low boost is powerful!), knob assignment for the RM1x's real-time control knobs, and individual output channel assignments for the internal tone generator and MIDI transmission.
Job
The job sub mode gives you access to the RM1x's extensive range of pattern, pattern chain, and song jobs. The pattern mode, for example, offers a range of 36 jobs to perform functions such as quantization, transposition, creating crescendos and glides, creating rolls, and much, much more.
Tap/Enter Button
Tap BPM entry lets you define tempos the way you feel them rather than with numbers.
Multi-Function Keyboard and Mode Buttons
This 26-note keyboard makes it possible to program the RM1x without having to connect an external MIDI keyboard. It's even polyphonic (the RM1x has a 64-note polyphony), so you can directly enter chords as well as single notes. The keyboard also acts as an easy-to-use real-time interface for a range of functions including track selection, transposition, numeric data entry, track mute/solo, and section selection.
Black Keys
The "black keys" also perform a range of other functions, such as selecting specific mute track ranges and memorizing a number of track mute setups.
Mute Memory
The mute memory function lets you specify groups of tracks, which can then be instantly muted or un-muted, by pressing a single-key.
Floppy Disk Drive
You can conveniently save and load RM1x data at any time and load SMF (Standard MIDI File) data created on other sequencers or computer-based systems. You can then use the RM1x's editing features and/or real-time control capabilities to "remix" the data to create the groove you require.
Technical Description
Sequencer
Memory Capacity: 110,000 notes
Timing Resolution: 1/480 quarter-note
Polyphony: Maximum 64 simultaneous notes
Tempo: 25.0-300.0
Recording Methods: Real-time (Replace, Overdub, Punch-in), Step, Grid Step
Sequencer Tracks: 16
Tracks Per Pattern: 16
Preset Patterns: 960 (60 styles x 16 sections)
User Patterns: 800 (50 styles x 16 sections)
Pattern Chains, Songs: 20 songs
Edit: Song Edit, Phrase Edit
Jobs: 36 pattern jobs, 8 pattern chain jobs, 28 song jobs
Split: Slip song, Split pattern
Grooves: Grid Grooves (Note Offset, Clock Shift, Gatetime Offset, Velocity Offset)
Play Effects: Play Effects (Beat Stretch, Clock Shift, Gatetime, Velocity Offset); Harmonize (Unison, Octave, Harmonize 1, Harmonize 2)
MIDI Delay MIDI Delay edit, Feedback edit
Arpeggios Type: (up, Down, Alternate 1, Alternate 2, Random), Sort Hold, Octave Range, Sequence Formats
Sequence Formats: RM1x format, SMF (Format 0)
Tone Generator
Tone Generation AWM2
Polyphony: Maximum 32 simultaneous notes
Multi-Timbral: Maximum 16 timbres (last-note priority with element reserve, DVA)
Preset Voices: 654 normal voices, 46 drum-kit voices (excl. GM normal voices and GM drum-kit voices)
Effects: 11 Reverb types, 11 Chorus types, 43 Variations
Digital Low Boost: +24db/50hz-2.0khz
General
Display: 64 x 240-dot backlit graphic LCD (adjustable contrast)
Connectors: Phones, Output x 2 (L/Mono, R), Foot Switch, DC IN, MIDI IN, MIDI OUT
Disk Storage: 3.5 in. 2DD/2HD floppy disk drive
Dimensions (W x D x H): 420 x 282 x 98 mm
$75 - Boss SP202 Phrase Sampler w/removale memory card
http://www.vintagesynth.org/roland/images/sp202.jpg
The SP-202 is a limited sampler designed for loops and grooves for DJs on a budget. It offers four low quality sample rates, from 31 to about 4 kHz, providing 20 to 260 seconds of sample time via built-in microphone, Mic or Line inputs. Each Pad to which you assign your samples can have user-selectable sampling rates in order to maximize sample time. It has six built-in effects including Pitch Shift, Filter 1 & 2, Time Stretch, Delay, and Ring Modulation. An innovative BPM function calculates the BPM from the sample length for easy loop/BPM syncing. The sampler can be battery powered, and comes with lots of sampled loops and one-shots to get you going.
Sample editing and effects editing is limited, to almost non-existent. In fact tempos are calculated for each loop automatically, and individual samples can't be pitch shifted, tempo adjusted, or have their volumes altered. It also lacks any re-sampling abilities, and with only four voices, the musical possibilities are quite limited. But it's great for the DJ who wants to run some material through its filters and effects, or to add a loop or groove over your DJ set, with live filtering and tweaking to liven' things up. For a fully professional sampler/sequencer workstation, check out the SP-808. The SP-202 has been used by Fatboy Slim.
Technical Info
Polyphony 4 voices
Oscillators None
Sampler 31.25kHz (hi-fi), 15.63kHz (standard), 7.81kHz (lo-fi), 3.91kHz (lo-fi 2); 32 to 260 seconds
Sequencer None
Effects Pitch, Filter, Resonant Filter, Time stretch, Ring Modulator, Delay
Memory Holds 16 samples; offline storage to SmartMedia 5.5v Memory Card
Keyboard None, 8 touch pads
Control MIDI
Date 2000
Current$$ $450
$50 - Yamaha SU-10 Phrase Sampler
http://www.musicrun.com/tests/su10/su10.jpg
The SU-10 is a very compact and portable sampler and sequencer. Best suited for the on-the-go musician it ultimately is a note-pad for musical ideas. It has a maximum of 4 simultaneous samples polyphony, 11.64 to 44.1 sampling rates, 54 to 19 seconds of sampling time (respectively), stereo input/output (using one-eighth inch mini stereo plugs), 4 songs with up to 100 events in each and a maximum of 48 samples can be stored. The 12 key-pads are not only used for editing and programming, but also for triggering samples stored within any of the four banks (bank a, b, c or d).
For professional use these specs are just not good enough. Its overall sound quality is questionable. However it features some pretty cool tricks that may interest DJ's: a ribbon controller that can be used to filter the samples cutoff, alter pitch, reverse, scale, crossfade, hold and scratch samples. It features a VCF type filter with 3 resonant settings and a bandpass, highpass, or lowpass shape. It can even be used to filter an external sound source. Unfortunately the filter is 'sketchy' and prone to crackles, distortion and noise. Filtering external sounds have extremely low output too.
The SU-10 won't replace your real sampler nor should it be considered a professional sampler but it does have its place. If you can handle the limited sampling specs and very poor filter then the SU-10 can still provide you with hours of fun and entertainment, but that's about it. It has been used by Jimi Tenor, Autechre, and Scanner.
Technical Info
Polyphony 4 simultaneous samples max (in mono)
Sampling 11.64KHz to 44.1KHz (19 to 54 seconds)
LFO None
VCF Digital Hi / low / band pass resonant filter
VCA None
Keyboard 12 key-pads
Memory 48 samples max
Control MIDI
Date 1997
Current$$ $299